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Alabaster Blue Sectory 23
Page 03
There is good testimony that various species of Gibbon readily take to the erect posture. Mr. George Bennett, a very excellent observer, in describing the habits of a male _Hylobates syndactylus_ which remained for some time in his possession, says: "He invariably walks in the erect posture when on a level surface; and then the arms either hang down, enabling him to assist himself with his knuckles; or, what is more usual, he keeps his arms uplifted in nearly an erect position, with the hands pendent ready to seize a rope, and climb up on the approach of danger or on the obtrusion of strangers. He walks rather quick in the erect posture, but with a waddling gait, and is soon run down if, while pursued, he has no opportunity of escaping by climbing.... When he walks in the erect posture, he turns the leg and foot outward, which occasions him to have a waddling gait and to seem bow-legged."
Wiertz (1806-1865), whose collection of works is to be seen in Brussels, was a partial exposition of romanticism mixed with a what-not of eccentricity entirely his own. Later on came a comparatively new man, Louis Gallait (1810-?), who held in Brussels substantially the same position that Delaroche did in Paris. His art was eclectic and never strong, though he had many pupils at Brussels, and started there a rivalry to Wappers at Antwerp. Leys (1815-1869) holds a rather unique position in Belgian art by reason of his affectation. He at first followed Pieter de Hooghe and other early painters. Then, after a study of the old German painters like Cranach, he developed an archaic style, producing a Gothic quaintness of line and composition, mingled with old Flemish coloring. The result was something popular, but not original or far-reaching, though technically well done. His chief pupil was Alma Tadema (1836-), alive to-day in London, and belonging to no school in particular. He is a technician of ability, mannered in composition and subject, and somewhat perfunctory in execution. His work is very popular with those who enjoy minute detail and smooth texture-painting.
He took up his position between the towns of Pandosia and Heraclea, on the River Siris. The Romans, who were encamped on the other side of the river, were the first to begin the battle. They crossed the river, and were immediately attacked by the cavalry of Pyrrhus, who led them to the charge in person, and distinguished himself as usual by the most daring acts of valor. The Romans, however, bravely sustained the attack; and Pyrrhus, finding that his cavalry could not decide the day, ordered his infantry to advance. The battle was still contested most furiously: seven times did both armies advance and retreat; and it was not till Pyrrhus brought forward his elephants, which bore down every thing before them, that the Romans took to flight, leaving their camp to the conqueror (B.C. 280).
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