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Alabaster Blue Sectory 21
Page 06
Palms and species like the big tree of California were growing side by side with species akin to our own common trees. But in the animal world there were many strange forms. This was the age of reptiles. They domineered on the land, in the air, and in the sea. On the land there stalked huge reptiles fifty and sixty feet long, and, when standing erect, at least thirty feet high.<15> Some of these huge creatures were carnivorous, living on other animals. Others fed on the foliage of trees. In the air, huge reptilian bats, veritable flying dragons with a spread of wings from ten to twenty feet, disported themselves.<16> In the sea there swam great reptilian whales, seals, and walruses.<17> There was a marvelous abundance of reptilian life. At the present day, there are not more than six species of reptiles in the whole world having a length of over fifteen feet, and not more than eighteen species exceeding ten feet in length. But from one limited locality, representing but one era of this age in England, there have been discovered four or five species of carnivorous reptiles twenty to fifty feet long, ten or twelve species of crocodiles, lizards, and swimming reptiles from ten to sixty feet long--besides multitudes of great flying reptiles and turtles. Doubtless similar scenes of animal life were everywhere represented.
Nearly three hundred species of _Coleoptera_, or beetles, occupy similar positions. Almost any rotten log or stump when broken open discloses a half dozen or more "horn" or "bess beetles," _Passalus cornutus_ L., great, shining, clumsy, black fellows with a curved horn on the head. They are often utilized as horses by country children, the horn furnishing an inviting projection to which may be fastened, by a thread or cord, chips and pieces of bark to be dragged about by the strong and never lagging beast of burden. When tired of "playing horse" they can make of the insect an instrument of music; for, when held by the body, it emits a creaking, hissing noise, produced by rubbing the abdomen up and down against the inside of the hard, horny wing covers. This beetle passes its entire life in cavities in the rotten wood on which it feeds, and when it wishes a larger or more commodious home it has only to eat the more.
Van Goyen (1596-1656) was one of the earliest of the seventeenth-century landscapists. In subject he was fond of the Dutch bays, harbors, rivers, and canals with shipping, windmills, and houses. His sky line was generally given low, his water silvery, and his sky misty and luminous with bursts of white light. In color he was subdued, and in perspective quite cunning at times. Salomon van Ruisdael (1600?-1670) was his follower, if not his pupil. He had the same sobriety of color as his master, and was a mannered and prosaic painter in details, such as leaves and tree-branches. In composition he was good, but his art had only a slight basis upon reality, though it looks to be realistic at first sight. He had a formula for doing landscape which he varied only in a slight way, and this conventionality ran through all his work. Molyn (1600?-1661) was a painter who showed limited truth to nature in flat and hilly landscapes, transparent skies, and warm coloring. His extant works are few in number. Wynants (1615?-1679?) was more of a realist in natural appearance than any of the others, a man who evidently studied directly from nature in details of vegetation, plants, trees, roads, grasses, and the like. Most of the figures and animals in his landscapes were painted by other hands. He himself was a pure landscape-painter, excelling in light and aerial perspective, but not remarkable in color. Van der Neer (1603-1677) and Everdingen (1621?-1675) were two other contemporary painters of merit.
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