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Alabaster Blue Sectory 12
Page 02
The principle of association, as every one knows, involves that whenever two things have been associated sufficiently together, the suggestion of one of them to the mind shall immediately raise a suggestion of the other. It is in virtue of this principle that language, as we so call it, exists at all, for the essence of language consists, as I have said perhaps already too often, in the fixity with which certain ideas are invariably connected with certain symbols. But this being so, it is hard to see how we can deny that the lower animals possess the germs of a highly rude and unspecialised, but still true language, unless we also deny that they have any ideas at all; and this I gather is what Professor Max Muller in a quiet way rather wishes to do. Thus he says, "It is easy enough to show that animals communicate, but this is a fact which has never been doubted. Dogs who growl and bark leave no doubt in the minds of other dogs or cats, or even of man, of what they mean, but growling and barking are not language, nor do they even contain the elements of language."
Sometimes, indeed, I have been inclined to think that a mystery is being hinted at more dark than any critic has suspected. I do not happen to possess a copy of the poem, but the writer, if I am not mistaken, says that "few could know when Lucy ceased to be." "Ceased to be" is a suspiciously euphemistic expression, and the words "few could know" are not applicable to the ordinary peaceful death of a domestic servant such as Lucy appears to have been. No matter how obscure the deceased, any number of people commonly can know the day and hour of his or her demise, whereas in this case we are expressly told it would be impossible for them to do so. Wordsworth was nothing if not accurate, and would not have said that few could know, but that few actually did know, unless he was aware of circumstances that precluded all but those implicated in the crime of her death from knowing the precise moment of its occurrence. If Lucy was the kind of person not obscurely pourtrayed in the poem; if Wordsworth had murdered her, either by cutting her throat or smothering her, in concert, perhaps, with his friends Southey and Coleridge; and if he had thus found himself released from an engagement which had become irksome to him, or possibly from the threat of an action for breach of promise, then there is not a syllable in the poem with which he crowns his crime that is not alive with meaning. On any other supposition to the general reader it is unintelligible.
The awful penalty of success is the haunting dread of subsequent failure, and even sadder still is the fact that in striving eagerly to attain an end, we are apt to lose the sense of the purpose which inspired us. This is more drearily true of the pursuit of money than of anything else. I could name several friends of my own who started in business with the perfectly definite and avowed intention of making a competence in order that they might live as they desired to live; that they might travel, read, write, enjoy a secure leisure. But when they had done exactly what they meant to do, the desires were all atrophied. They could not give up their work; they felt it would be safer to have a larger margin, they feared they might be bored, they had made friends, and did not wish to sever the connection, they must provide a little more for their families: the whole programme had insensibly altered. Even so they were still planning to escape from something--from some boredom or anxiety or dread.
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