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Alabaster Blue Sectory 09
Page 09
A quarrel arose between them and the herdsmen of Numitor, who stalled their cattle on the neighboring hill of the Aventine. Remus was taken by a stratagem, and carried off to Numitor. His age and noble bearing made Numitor think of his grandsons; and his suspicions were confirmed by the tale of the marvelous nurture of the twin brothers. Soon afterward Romulus hastened with his foster-father to Numitor; suspicion was changed into certainty, and the old man recognized them as his grandsons. They now resolved to avenge the wrongs which their family had suffered. With the help of their faithful comrades they slew Amulius, and placed Numitor on the throne.
In the parish church at Saas-Grund there are two altar-pieces which deserve attention. In the one over the main altar the arrangement of the Last Supper in a deep recess half-way up the composition is very pleasing and effective; in that above the right-hand altar of the two that stand in the body of the church there are a number of round lunettes, about eight inches in diameter, each containing a small but spirited group of wooden figures. I have lost my notes on these altar-pieces and can only remember that the main one has been restored, and now belongs to two different dates, the earlier date being, I should imagine, about 1670. A similar treatment of the Last Supper may be found near Brieg in the church of Naters, and no doubt the two altar-pieces are by the same man. There are, by the way, two very ambitious altars on either side the main arch leading to the chance in the church at Naters, of which the one on the south side contains obvious reminiscences of Gaudenzio Ferrari's Sta. Maria frescoes at Varallo; but none of the four altar-pieces in the two transepts tempted me to give them much attention. As regards the smaller altar-piece at Saas-Grund, analogous work may be found at Cravagliana, half-way between Varallo and Fobello, but this last has suffered through the inveterate habit which Italians have of showing their hatred towards the enemies of Christ by mutilating the figures that represent them. Whether the Saas work is by a Valsesian artist who came over to Switzerland, or whether the Cravagliana work is by a Swiss who had come to Italy, I cannot say without further consideration and closer examination than I have been able to give. The altar-pieces of Mairengo, Chiggiogna, and, I am told, Lavertezzo, all in the Canton Ticino, are by a Swiss or German artist who has migrated southward; but the reverse migration was equally common.
I dare say you notice that all the birds in this picture have long beaks. We may be sure from this that they live in places and seek for their food in ways in which long beaks are just what they want. The fact is they are all marsh birds, and the soil of marshes being wet and soft, and full of worms, these long beaks enable them to probe it, and so get at the worms. I think the beaks of birds afford a striking example of how good God is in adapting creatures to the mode of life He has appointed for them. The eagles and hawks, you know, are provided with strong, short bills to enable them to seize and tear flesh. Those of canaries and all the finches are just the very instruments to crack seeds with. Parrots, with their tremendous weapons, can crush the hardest nuts of the tropic forest. The crossbill is fitted with a wonderful tool for tearing fir-cones to pieces. Robins and the other warblers have soft bills, which are all they want for eating insects and grubs.
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