Alabaster Blue Sectory 09
Page 06

Nearly three hundred species of _Coleoptera_, or beetles, occupy similar positions. Almost any rotten log or stump when broken open discloses a half dozen or more "horn" or "bess beetles," _Passalus cornutus_ L., great, shining, clumsy, black fellows with a curved horn on the head. They are often utilized as horses by country children, the horn furnishing an inviting projection to which may be fastened, by a thread or cord, chips and pieces of bark to be dragged about by the strong and never lagging beast of burden. When tired of "playing horse" they can make of the insect an instrument of music; for, when held by the body, it emits a creaking, hissing noise, produced by rubbing the abdomen up and down against the inside of the hard, horny wing covers. This beetle passes its entire life in cavities in the rotten wood on which it feeds, and when it wishes a larger or more commodious home it has only to eat the more.

Among the other events which occurred during the reign of King Charles the Second, and which tended to connect unfavorable associations with the recollection of it in the minds of men, was a very extraordinary affair, which is known in history by the name of Titus Oates's Popish Plot. It was the story of a plot, said to have been formed by the Catholics, to put King Charles to death, and place his brother James, who, it will be recollected, was a Catholic, upon the throne in his stead. The story of this plot was told by a man named Titus Oates, and as it was at first generally believed, it occasioned infinite trouble and difficulty. In after times, however, the whole story came to be regarded as the fabrication of Oates, without there being any foundation for it whatever; hence the name of Titus Oates's Popish Plot, by which the affair has always since been designated in history. The circumstances were these:

The aim of these artists was to represent with sincerity what they saw, and the simple sincerity of painters who preceded Raphael led them to choose a name which Ruskin called unfortunate, "because the principles on which its members are working are neither pre- nor post-Raphaelite, but everlasting. They are endeavoring to paint with the highest possible degree of completion what they see in nature, without reference to conventional established rules; but by no means to imitate the style of any past epoch. To paint Nature--Nature as it was around them, by the help of modern science, was the aim of the Brotherhood."

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