|
|
Alabaster Blue Sectory 01
Page 09
In Switzerland, one of the chief employments of the people is that of herdsmen and shepherds, and nearly the half of the surface of the country is occupied as mountain pastures and meadows. Here you see the woman tending the sheep and goats, and spinning industriously, while her husband is busy with some other part of the duties of tending the sheep. It is often painful to see how much the poor sheep and oxen suffer while being driven through the streets. It is pitiful to see them looking in vain for some place of rest and shelter. Little boys in towns sometimes like to HELP--as they call it--to drive cattle, but they generally increase the terror and confusion of the poor beasts, and little think of the pain they are causing. Sheep and goats are very useful to us; besides serving us for food, they supply our cloth and flannel clothes, blankets, and other warm coverings.
In landscape the English have had something to say peculiarly their own. It has not always been well said, the coloring is often hot, the brush-work brittle, the attention to detail inconsistent with the large view of nature, yet such as it is it shows the English point of view and is valuable on that account. Richard Wilson (1713-1782) was the first landscapist of importance, though he was not so English in view as some others to follow. In fact, Wilson was nurtured on Claude Lorrain and Joseph Vernet and instead of painting the realistic English landscape he painted the pseudo-Italian landscape. He began working in portraiture under the tutorship of Wright, and achieved some success in this department; but in 1749 he went to Italy and devoted himself wholly to landscapes. These were of the classic type and somewhat conventional. The composition was usually a dark foreground with trees or buildings to right and left, an opening in the middle distance leading into the background, and a broad expanse of sunset sky. In the foreground he usually introduced a few figures for romantic or classic association. Considerable elevation of theme and spirit marks most of his pictures. There was good workmanship about the skies and the light, and an attentive study of nature was shown throughout. His canvases did not meet with much success at the time they were painted. In more modern days Wilson has been ranked as the true founder of landscape in England, and one of the most sincere of English painters.
The Achaean exiles, whose numbers were now reduced from 1000 to 300, landed in Greece (B.C. 151) with feelings exasperated by their long confinement, and ready to indulge in any rash enterprise against Rome. Polybius, who had returned with the other exiles, in vain exhorted them to peace and unanimity, and to avoid a hopeless struggle with the Roman power. Shortly afterward an adventurer laid claim to the throne of Macedonia (B.C. 149). He was a man of low origin called Andriscus, but he pretended to be the son of Perseus, and assumed the name of Philippus. At first he met with some success, and defeated the Roman Praetor Juventius, but, after reigning scarcely a year, he was conquered and taken prisoner by Q. Metellus.
|
bravenet.com